Mobile Museum in Curitiba, Brazil

Reading about the artist Bruno Lechowski
His portable exhibitions presented in Curitiba in 1926
Bringing art directly into public space

A portable object is made for the presentation of an "Exhibition of Frequency": a collection of experimental audio works by different artists and composers from 1950 to the present.

The object is imagined as a mobile museum of sound art circulating through the city. Built from wood and including audio speakers and playback system, the museum acts as a mobile collection locating audio within public space, opening up the city to the signification of sound.

The mobile exhibition is proposed as a permanent addition to the network of museums in the city of Curitiba.

Exhibition of Frequency

David Tudor, “Rainforest Version One” (1968) 21:50
Iannis Xenakis, “Concret PH” (1958) 2:47
Terry Riley, “A Rainbow in Curved Air” (1967) 18:48
Gordon Mumma, “Music for the Venezia Space Theater” (1964) 12:01
Luc Ferrari, “Tautologos 1” (1961) 4:27
David Behrman, “Runthrough” (1967) 12:11
Carl Michael von Hausswolff, “Rotterdam Canaries Or A General Attempt To Conquer A Specific Model Of Migration” (1998) 7:13
Pauline Oliveros, “Beautiful Soop” (1966) 27:46
Vladimir Ussachevsky, “Metamorphosis” (1957) 5:27
John Cage, 4’33” (no. 2) (0’00”) (1962/1991) 4:38
Microstoria, “Quit Not Save” (1996) 2:51
P16.D4, “LLL/RRR” (1987) 5:37
Christophe Charles, “undirected 1986-1996” (1997) 3:03
Hiroyuki Iida, “E.M.I. document of Yukarigaoka Line” (1996) 14:24